A new group of developers continued the project. In September 2011 Pobst announced that he was no longer interested in developing Pinta. History and development ĭevelopment of Pinta began in February 2010 and was driven by Jonathan Pobst, then working at Novell. Unlike some simple image editing software, Pinta also features support for image layers.
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Flexible toolbar arrangement, including floating as windows or docking around the image edge.The focus on usability is reflected in several of the main features of the program:
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She aspires to be an intrepid tech and gaming enthusiast with the exploratory spirit and witty prose of her favourite author of Robert Louis Stevenson. Treasure Island for the tech world.Pinta is a bitmap image editor with many features typical of image editing software including drawing tools, image filters and colour adjustment tools.
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She enjoys writing tech and business articles in her free time. Joanna Stevenson studied mechanical engineering in London, and currently works for an energy research and consulting firm. Its aim - to bring to Linux - is valiant, but for photography, there are more competitive options available - for now. However, it's up against some mighty competitors across the OS field, and its success is far from certain. It's nice and simple, and will do what you ask of it with little fuss. So, verdict: Pinta is impressive for being so young. This is a nice effect for my photograph: the furrows on the dog's head are deeper, and it was reflected well on my printout (the deeper blacks gave the printer something to dig its teeth into), but I would have liked to have a little more control over when and how this occurred. Notably, though, Pinta seems to have upped the contrast in the photo and dipped the black level, making the image darker. Pinta does a good job of merging the image's RGB color scheme and producing a realistic black and white photograph. There's a reason that they're so well-established! GIMP's results are, as expected, quite spectacular. I've chosen an image that I know will look good in black and white, but offers a bunch of ways to change exactly how that happens. Laser printers are less prone to interaction with the external environment than inkjet printers, meaning the images will be comparable. The 'laser' in the mono laser printer was also handy - no inkjet printing means the field stayed level. Poor black and white filters do little more than de-saturating the image in question, whereas a more fully-featured software package takes a holistic approach to presenting the image, adjusting RGB levels for a 'realistic' black and white image. This choice limited me to black-and-white, but that's typically a great test of any image manipulation software's capabilities.
To check this for print, I used a mono laser printer to extract maximum possible clarity from the documents. So, to put it to the test, I thought I'd see how their image manipulation played off against one another. Image manipulation is not new to Linux - GIMP has been fulfilling most needs shy of Adobe's premium offering for Windows and OS X. Again, this layer-based process boasts a simple interface and functionality. Well, maybe that's overstating it a bit, but it is a pleasant feature to have - masking, merging and comping are all within reach. Pinta is layer-based and offers Photoshop-esque levels of power.
It offers image manipulation and drawing - but its real beauty is in its simplicity. Pinta - Painting Made Simple is an open-source application built for Linux, Windows and Mac. Now, another newcomer looks to break the simple mould - this time, on Linux. Simple approaches to complex problems: time and time again this earmarked cliché returns to shake up the software industry. What’s it like for Black and white photography?
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